Frodo strides forth aided by the small, but mighty, Sting in his right hand and the Phial of Galadriel (with water imbued by the Light of Eärendil, illuminated by our built-in LED) held aloft in his left.Īt about 18 inches, Frodo and Gollum are presented together on a mixed-media, environmental base that encapsulates the dread that only the land of Mordor can elicit. Our studio painters have adeptly rendered the journey-worn clothes of Frodo and Gollum’s sickly pallor. We have used synthetic hair not only on Frodo’s hobbit-feet but also on Gollum’s head to emphasize the superior quality of our statue. Gollum urges Frodo into Shelob’s lair his plan: to steal the One Ring from Frodo after he has fallen prey to the spider-demon! The facial subtlety of Frodo’s growing concern and Gollum’s malicious intent have both been captured by our talented sculptors. Prime 1 Studio skillfully captures the moment wherein a vulnerable, but courageous Frodo Baggins ventures into Cirith Ungol, oblivious to the betrayal he is about to befall. In the Second Act, unable to kill Frodo himself, Gollum leads the hapless hobbit into the lair of the spider-demon, Shelob! The Lord of the Rings: The Return of the King is the culmination of the magnificent Lord of the Rings trilogy from esteemed director Peter Jackson. Prime 1 Studio is incredibly proud to present the next offering in our Premium Masterline The Lord of the Rings series: Frodo and Gollum from The Lord of the Rings: The Return of the King! You shall not pass the Kleenex you’re going to need the whole box for yourself.“Naughty little fly! Why does it cry? Caught in a web! Soon you'll be. An initial count of crying scenes over the three films’ extended editions led to nearly 200 individual instances, which is - even for 11 hours and 36 minutes of movies - a lot! So we’ve curated a premium collection of the weepiest 39 moments when someone in Lord of the Rings breaks down, dissolves into sobs, or lets just one tear slide meaningfully down their face, listed here in chronological order. Every single on-the-side-of-good character gets their own moment of sorrow, regret, or heartache as they ponder the impact of Sauron’s ascendance and his unquenchable desire for the One Ring. Key to LOTR’s enduring appeal is its all-in approach to its characters’ feelings: Amid the tumult of widespread war, Jackson and cinematographer Andrew Lesnie honor how all this danger, destruction, and death is affecting the worlds of hobbits, elves, and men. Whether in the golden haze of Rivendell, murky gloom of Moria, or apocalyptic fires of Mount Doom, crying has never looked so good. Oh, the Avengers films snapped half of humanity out of existence? Not as devastating as Frodo ultimately keeping the One Ring for himself, Pippin being forced to sing during Denethor’s disgusting breakfast, or Éowyn realizing that Aragorn already had a girlfriend. Can you imagine Sean Astin, Elijah Wood, or Liv Tyler’s faces without tears on them? In the 20 years since The Fellowship of the Ring, The Two Towers, and The Return of the King were released in back-to-back holiday seasons, no major franchise has come close to putting its actors through as much gorgeously shot, evocatively lit, and soul-shatteringly funereal pain and tears as Peter Jackson’s adaptations of J.R.R.
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